song
The River Song
This boat is of shato-wood, and its gunwales are cut
magnolia,
Musicians with jewelled flutes and with pipes of gold
Fill full the sides in rows, and our wine
Is rich for a thousand cups.
We carry singing girls, drift with the drifting water,
Yet Sennin needs
A yellow stork for a charger, and all our seamen
Would follow the white gulls or ride them.
Kutsu’s prose song
Hangs with the sun and moon.
King So’s terraced palace
is now but barren hill,
But I draw pen on this barge
Causing the five peaks to tremble,
And I have joy in these words
like the joy of blue islands.
(If glory could last forever
Then the waters of Han would flow northward.)
And I have moped in the Emperor’s garden, awaiting an
order-to-write !
I looked at the dragon-pond, with its willow-coloured
water
Just reflecting the sky’s tinge,
And heard the five-score nightingales aimlessly singing.
The eastern wind brings the green colour into the island
grasses at Yei-shu,
The purple house and the crimson are full of Spring
softness.
South of the pond the willow-tips are half-blue and
bluer,
Their cords tangle in mist, against the brocade-like
palace.
Vine-strings a hundred feet long hang down from
carved railings,
And high over the willows, the fine birds sing to each
other, and listen,
Crying—‘Kwan, Kuan,’ for the early wind, and the feel
of it.
The wind bundles itself into a bluish cloud and wanders
off.
Over a thousand gates, over a thousand doors are the
sounds of spring singing,
And the Emperor is at Ko.
Five clouds hang aloft, bright on the purple sky,
The imperial guards come forth from the golden house
with their armour a-gleaming.
The Emperor in his jewelled car goes out to inspect his
flowers,
He goes out to Hori, to look at the wing-flapping storks,
He returns by way of Sei rock, to hear the new
nightingales,
For the gardens at Jo-run are full of new nightingales,
Their sound is mixed in this flute,
Their voice is in the twelve pipes here.
– Ezra Pound
A Twilight Song
Why, rapturous bird, though shades of night
Muffle the leaves and swathe the lawn,
Singest thou still with all thy might,
As though ’twere noon, as though ’twere dawn?
Silence darkens on vale and hill,
But thou, unseen, art singing still.
‘Tis because, though in dusky bower,
With love delighted still thou art;
Nor hath the deepening twilight power
To lay a curfew on thy heart.
Thou lovest; and, loving, dost prolong
The sense of sunlight with thy song.
Thus may love’s rapture haunt me still
When life’s full radiance fadeth slow
Along the faltering west, and fill
With melody my afterglow,
And something of Song’s morning might
Linger, to make you doubt ’tis night.
– Alfred Austin
The Lark Confined In His Cage
The lark confinèd in his cage,
And captive in his wing,
Though fluttering with imprisoned rage,
Forbeareth not to sing.
But still the strain, though loud and long,
Is but the mock of mirth,
Not that dawn-dewy nuptial song
That weddeth Heaven with Earth.
Voice that in freedom seems so soft,
Fettered, sounds harsh and rough.
Listen! He shrilleth far too oft,
Nor faltereth half enough.
And I, still feebler it not free,
Do hourly more and more
Grow silent in captivity,
And, if I sing, must soar.
And as the lark’s free carol floats
High on a sea of sound,
So let me fling my random notes
To ripple round and round.
Hark! now he shakes the towering skies,
A carillon of light,
Then dwindleth to a faint surmise,
Still singing out of sight.
And, though in clearest light arrayed
The Poet’s song should shine,
Sometimes his far-off voice will fade
Into the dim divine.
Then we with following ear and heart
Should listen to the end,
Though we descry may but in part,
And dimly apprehend.
Lo! soon he quits his heavenly quest,
Slow-carolling into sight,
Then, quavering downward, strikes his nest,
Earthward aerolite.
So doubt not, dear, that if I soar
Where none longwhile may dwell,
Though Heaven at times may be my home,
Home is my Heaven as well.
– Alfred Austin
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