irish
To Ireland
“What ails you, Sister Erin, that your face
Is, like your mountains, still bedewed with tears?
As though some ancient sorrow or disgrace,
Some unforgettable wrong from far-off years,
Done to your name or wreaked upon your race,
Broods in your heart and shadows all your mind;
So that no change of Season, nor the voice
Of hopeful Time, who bids the sad rejoice,
Can lift your gloom, but you, to kind unkind,
Keep moaning with the wave, and wailing with the wind.
“Come let us sit upon yon cliff, we twain,
Whence we may gaze across your soft green Isle,
Girt by the strong immeasurable main,
That, see! looks up, and sweetens to a smile;
And you shall talk to me of all your pain,
Through deep blue eyes and dark unbraided tresses
Hooded by wimple that your own hands weaved
When you and Winter last together grieved,
While far beneath our feet the fast foam presses
Round bluff, and creek, and bay, and seabird-sung-to nesses.”
Then half withholding, yielding half, her gaze,
She smoothed her kirtle under her, and clasped
Her hands about her knees, as one who prays,
Watching the clambering billows as they grasped
At slippery rocks where wild-goats may not graze,
Then fell back foiled, shivered to spray and smoke.
And I could see the warm blood of her race
Crimson beneath her weather-beaten face:
As though her heart would break, her voice would choke,
In accents harsh with hate, and brimmed with sobs, she spoke.
“They came across the sea with greed of spoil,
And drove me hither and thither from fen to foam,
Reaving and burning, till the blackened soil
Waxed bitter-barren as the brine they clomb,
Sterile to seed and thankless unto toil.
Harried and hunted, fleeing through the land,
I hid among the caves, the woods, the hills,
Where the mist curdles and the blind gust shrills,
Suckling my hate and sharpening my brand,
My heart against their heart, my hand against their hand.
“And ever as I fled, they ever pursued.
They drove away my cattle and my flocks,
And left me, me a Mother! to claw for food
‘Mong ocean-boulders and the brackish rocks
Where sea-hogs wallow and gorged cormorants brood;
Unroofed my hut, set the sere thatch aflame,
Scattered my hearth-fire to the wintry air,
Made what was bare before stretch yet more bare,
I waxing wilder more they strove to tame,
To force and guile alike implacably the same.
“They would not suffer me to weep or pray:
Upon the altar of my Saints they trod;
They banned my Faith, they took my Heaven away,
And tried to rob me of my very God!
And, when I sued them leave me where I lay,
And get them hence, still, still they would not go.
They reft the spindle from my famished hands,
My kith and kin they drove to other lands,
Widowed and orphaned me! And now you know
Why all my face is wet, and all my voice is woe!”
I crept a little nearer, and I laid
My hand on hers, and fondled it with mine;
And, “Listen, dear Sister Erin,” soft I said,
“Not to the moaning of the salt-sea brine,
Nor to the melancholy crooning made
By thoughts attuned to Sorrow’s ancient song,
But to the music of a mellower day.
Forgive! Forget! lest harsher lips should say,
Like your turf fire, your rancour smoulders long.
Now let Oblivion strew Time’s ashes o’er this wrong.
“The robber bands that filled the Isle with groans
Were long since clamped and prisoned in their graves:
The flesh hath dried and shrivelled from their bones,
Their wild war-standards rotted from their staves;
Their name is nought. ‘Tis thus that Time atones
For all the griefs man fastens on his kind.
The days were dire, his passions swift and fell:
His very Heaven was but a sterner Hell.
His love was thraldom, hatred black and blind,
As headstrong as the wave, as wayward as the wind.
“Nor did alone you suffer. You too dealt
Full many a stroke, too fierce to be subdued
Till you had made the fangs of vengeance felt.
Mercy and truce you spurned, and fed the feud
Of Celt with Saxon, Saxon against Celt,
Till lust enforced whatever law forbade.
Nay! do not linger on that painful dream,
But turn and smile! as when a silvery gleam
Dimples your loughs that whilom seemed so sad,
And runs along the wave, and glistens and is glad!
“We own our fault the greater, so we now
For balance of that wrong would make amends.
Lift the low wimple from your clouded brow,
Give me your gaze, and say that we are friends;
And be your mountains witness of that vow,
Your dewy dingles white with blossoming sloe,
Your tawny torrents tumbling to the sea:
For You are far the fairest of the Three,
And we can never, never, let you go,
Long as your warm heart beats, long as your bright eyes glow.
“The Triune Flag, none now save Tyrants dread,
That with Imperial peace protects the world,
Hath by the sinewy sons you bore and bred
Round the wide globe been carried and unfurled.
Where danger greatest, they it was who led,
And stormed death rather than be backward driven.
Now, gaze no more across the western main,
Whose barren furrows hope still ploughs in vain.
Turn Eastward, where, through clouds by sunrise riven,
England holds out her hand, and craves to be forgiven.
“Live your own life, but ever at our side!
Have your own Heaven, but blend your prayer with ours!
Remain your own fair self, to bridegroom bride,
Veiled in your mist and diamonded with showers,
We twain love-linked whom nothing can divide!
Look up! From Slievemore’s brow to Dingle’s shore,
From Inagh’s lake to Innisfallen’s Isle
And Garriffe’s glen, the land is one green smile!
The dolphins gambol and the laverocks soar:
Lift up your heart and live, enthralled to grief no more!”
– Alfred Austin
Irish Love Song
Well, if the thing is over, better it is for me,
The lad was ever a rover, loving and laughing free,
Far too clever a lover not to be having still
A lass in the town and a lass by the road and a lass by the farther hill —
Love on the field and love on the path and love in the woody glen —
(Lad, will I never see you, never your face again?)
Ay, if the thing is ending, now I’ll be getting rest,
Saying my prayers and bending down to be stilled and blest,
Never the days are sending hope till my heart is sore
For a laugh on the path and a voice by the gate and a step
on the shieling floor —
Grief on my ways and grief on my work and grief till the evening’s dim —
(Lord, will I never hear it, never a sound of him?)
Sure if it’s done forever, better for me that’s wise,
Never the hurt, and never tears in my aching eyes,
No more the trouble ever to hide from my asking folk
Beat of my heart at click o’ the latch, and throb if his name is spoke;
Never the need to hide the sighs and the flushing thoughts and the fret,
And after awhile my heart will hush and my hungering hands forget . . .
Peace on my ways, and peace in my step, and maybe my heart grown light —
(Mary, helper of heartbreak, send him to me to-night!)
– Margaret Widdemer
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Irish Whiskey
Mourning a lost love,
At a table for two.
With a bottle of whiskey,
Keeping him blue.
No consoling words,
Does he want to hear.
He just thinks of her face,
And that brings the tears.
Maybe by drinking,
He can forget.
Not knowing that drinking,
Keeps her in his head.
In the morning he’ll rise,
And start once again.
Drinking Irish Whiskey.
That eases his pain.
– Juan Olivarez
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An Irish Word
Canny has always been an Irish word
to my ear, so too its cousin crafty,
suggesting not only an appreciation of close-work,
fine-making, handwrought artistry,
but a highly evolved reliance on one’s wits to survive,
stealth in the shadow of repressive institutions,
“silence, exile, and cunning,” in Joyce’s admonition,
ferret-sly, fox-quick, silvery, and elusive.
Craft, akin to croft—
a shepherd’s crooked hawthorn staff,
wind-polished wolds and peat-spent moorlands
high in the Blue Stack Mountains.
Akin to draught—a pint of creamy stout
or a good stout draught horse
or a draughty old house
like the one in which my grandfather was born
near Drimnaherk, slate-roofed, hard-angled,
ringed by thistles in a soil-starved coomb.
His four brothers left home
bound for Australia, South Africa, Liverpool, and Los Angeles
losing track of each other at once and forever
as if to loose the hawsers and set sail
were to sever every filial tether.
His name was Francis Daniel Campbell
but my grandmother Anna was a Monaghan
and her people had been
Maguires, Morans, Mohans, Meehans,
and other alliterative, slant-rhymed clans
all the way back to the nameless
bog dwellers and kine folk.
When her father died suddenly in New York,
he left three baby daughters and a widowed seamstress
with no recourse but retreat
to the old Rose Cottage overlooking Donegal Bay
in a parish of trellised thorns and ricked hay,
taking in mending and needlework to eat.
Market days they rode the train into Derry
to sell embroidered linens and hand-tatted lace,
kerchiefs monogrammed z to a.
She was nearing thirty
when she married and recrossed the Atlantic
and from her my own mother
had a recipe for soda bread, piles of drop-stitch
tablecloths, and a small stoneware pitcher
hand-painted in folksy script—
Be Canny Wi’ the Cream.
Nothing could move my brother and I to screams
of laughter like that tiny pitcher,
so serious of purpose, so quaintly archaic,
as we slurped down bowls of Frosted Flakes
before school in the breakfast nook.
The scrupulous economy of the world it bespoke,
the frugality toward which it gestured,
were as inscrutable to us then
as the great sea cliffs at Slieve League when
we drove to the top at Amharc Mór
on a road so thickly fleeced with mist
we might have been lost if not for the sheep
materializing like guardian imps,
imperturbable creatures, black-faced ephreets,
the ocean one vast, invisible gong
struck by padded mallets or mailed fists.
Amharc Mór means “the grand view” in Irish
but all we saw was fog.
– Campbell McGrath
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Your Irish Love
I am your four leaf clover
I am your lucky charm
I am your leperchaun
I give you all my gold
when you reach the
the end of the rainbow
I am the green hills
you can roll for ever
– Irish Shamrock
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20th March – On This Day In History
Born:
1908 Michael Redgrave (actor)
Died:
1964 Brendan Behan (poet)
On This Day:
1956 Tunisia gains independence (from France)
Have a good Tuesday, 20th March
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The Fisherman
Although I can see him still.
The freckled man who goes
To a grey place on a hill
In grey Connemara clothes
At dawn to cast his flies,
It’s long since I began
To call up to the eyes
This wise and simple man.
All day I’d looked in the face
What I had hoped ‘twould be
To write for my own race
And the reality;
The living men that I hate,
The dead man that I loved,
The craven man in his seat,
The insolent unreproved,
And no knave brought to book
Who has won a drunken cheer,
The witty man and his joke
Aimed at the commonest ear,
The clever man who cries
The catch-cries of the clown,
The beating down of the wise
And great Art beaten down.
Maybe a twelvemonth since
Suddenly I began,
In scorn of this audience,
Imagining a man,
And his sun-freckled face,
And grey Connemara cloth,
Climbing up to a place
Where stone is dark under froth,
And the down-turn of his wrist
When the flies drop in the stream;
A man who does not exist,
A man who is but a dream;
And cried, ‘Before I am old
I shall have written him one
poem maybe as cold
And passionate as the dawn.’
– William Butler Yeats
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Among School Children
I walk through the long schoolroom questioning;
A kind old nun in a white hood replies;
The children learn to cipher and to sing,
To study reading-books and histories,
To cut and sew, be neat in everything
In the best modern way — the children’s eyes
In momentary wonder stare upon
A sixty-year-old smiling public man.
I dream of a Ledaean body, bent
Above a sinking fire. a tale that she
Told of a harsh reproof, or trivial event
That changed some childish day to tragedy —
Told, and it seemed that our two natures blent
Into a sphere from youthful sympathy,
Or else, to alter Plato’s parable,
Into the yolk and white of the one shell.
III
And thinking of that fit of grief or rage
I look upon one child or t’other there
And wonder if she stood so at that age —
For even daughters of the swan can share
Something of every paddler’s heritage —
And had that colour upon cheek or hair,
And thereupon my heart is driven wild:
She stands before me as a living child.
Her present image floats into the mind —
Did Quattrocento finger fashion it
Hollow of cheek as though it drank the wind
And took a mess of shadows for its meat?
And I though never of Ledaean kind
Had pretty plumage once — enough of that,
Better to smile on all that smile, and show
There is a comfortable kind of old scarecrow.
What youthful mother, a shape upon her lap
Honey of generation had betrayed,
And that must sleep, shriek, struggle to escape
As recollection or the drug decide,
Would think her Son, did she but see that shape
With sixty or more winters on its head,
A compensation for the pang of his birth,
Or the uncertainty of his setting forth?
Plato thought nature but a spume that plays
Upon a ghostly paradigm of things;
Solider Aristotle played the taws
Upon the bottom of a king of kings;
World-famous golden-thighed Pythagoras
Fingered upon a fiddle-stick or strings
What a star sang and careless Muses heard:
Old clothes upon old sticks to scare a bird.
VII
Both nuns and mothers worship images,
But thos the candles light are not as those
That animate a mother’s reveries,
But keep a marble or a bronze repose.
And yet they too break hearts — O presences
That passion, piety or affection knows,
And that all heavenly glory symbolise —
O self-born mockers of man’s enterprise;
VIII
Labour is blossoming or dancing where
The body is not bruised to pleasure soul.
Nor beauty born out of its own despair,
Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?
– William Butler Yeats
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The Two Trees
Beloved, gaze in thine own heart,
The holy tree is growing there;
From joy the holy branches start,
And all the trembling flowers they bear.
The changing colours of its fruit
Have dowered the stars with merry light;
The surety of its hidden root
Has planted quiet in the night;
The shaking of its leafy head
Has given the waves their melody,
And made my lips and music wed,
Murmuring a wizard song for thee.
There the Loves a circle go,
The flaming circle of our days,
Gyring, spiring to and fro
In those great ignorant leafy ways;
Remembering all that shaken hair
And how the winged sandals dart,
Thine eyes grow full of tender care:
Beloved, gaze in thine own heart.
Gaze no more in the bitter glass
The demons, with their subtle guile.
Lift up before us when they pass,
Or only gaze a little while;
For there a fatal image grows
That the stormy night receives,
Roots half hidden under snows,
Broken boughs and blackened leaves.
For ill things turn to barrenness
In the dim glass the demons hold,
The glass of outer weariness,
Made when God slept in times of old.
There, through the broken branches, go
The ravens of unresting thought;
Flying, crying, to and fro,
Cruel claw and hungry throat,
Or else they stand and sniff the wind,
And shake their ragged wings; alas!
Thy tender eyes grow all unkind:
Gaze no more in the bitter glass.
– William Butler Yeats
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Into The Twilight
Out-worn heart, in a time out-worn,
Come clear of the nets of wrong and right;
Laugh, heart, again in the grey twilight,
Sigh, heart, again in the dew of the morn.
Your mother Eire is aways young,
Dew ever shining and twilight grey;
Though hope fall from you and love decay,
Burning in fires of a slanderous tongue.
Come, heart, where hill is heaped upon hill:
For there the mystical brotherhood
Of sun and moon and hollow and wood
And river and stream work out their will;
And God stands winding His lonely horn,
And time and the world are ever in flight;
And love is less kind than the grey twilight,
And hope is less dear than the dew of the morn.
– William Butler Yeats
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