browning
Perplexed Music
Experience, like a pale musician, holds
A dulcimer of patience in his hand,
Whence harmonies, we cannot understand,
Of God; will in his worlds, the strain unfolds
In sad-perplexed minors: deathly colds
Fall on us while we hear, and countermand
Our sanguine heart back from the fancyland
With nightingales in visionary wolds.
We murmur ‘ Where is any certain tune
Or measured music in such notes as these ? ‘
But angels, leaning from the golden seat,
Are not so minded their fine ear hath won
The issue of completed cadences,
And, smiling down the stars, they whisper–
SWEET.
– Elizabeth Barrett Browning
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The Deserted Garden
I mind me in the days departed,
How often underneath the sun
With childish bounds I used to run
To a garden long deserted.
The beds and walks were vanished quite;
And wheresoe’er had struck the spade,
The greenest grasses Nature laid
To sanctify her right.
I called the place my wilderness,
For no one entered there but I;
The sheep looked in, the grass to espy,
And passed it ne’ertheless.
The trees were interwoven wild,
And spread their boughs enough about
To keep both sheep and shepherd out,
But not a happy child.
Adventurous joy it was for me!
I crept beneath the boughs, and found
A circle smooth of mossy ground
Beneath a poplar tree.
Old garden rose-trees hedged it in,
Bedropt with roses waxen-white
Well satisfied with dew and light
And careless to be seen.
Long years ago it might befall,
When all the garden flowers were trim,
The grave old gardener prided him
On these the most of all.
Some lady, stately overmuch,
Here moving with a silken noise,
Has blushed beside them at the voice
That likened her to such.
And these, to make a diadem,
She often may have plucked and twined,
Half-smiling as it came to mind
That few would look at them.
Oh, little thought that lady proud,
A child would watch her fair white rose,
When buried lay her whiter brows,
And silk was changed for shroud!
Nor thought that gardener, (full of scorns
For men unlearned and simple phrase,)
A child would bring it all its praise
By creeping through the thorns!
To me upon my low moss seat,
Though never a dream the roses sent
Of science or love’s compliment,
I ween they smelt as sweet.
It did not move my grief to see
The trace of human step departed:
Because the garden was deserted,
The blither place for me!
Friends, blame me not! a narrow ken
Has childhood ‘twixt the sun and sward;
We draw the moral afterward,
We feel the gladness then.
And gladdest hours for me did glide
In silence at the rose-tree wall:
A thrush made gladness musical
Upon the other side.
Nor he nor I did e’er incline
To peck or pluck the blossoms white;
How should I know but roses might
Lead lives as glad as mine?
To make my hermit-home complete,
I brought dear water from the spring
Praised in its own low murmuring,
And cresses glossy wet.
And so, I thought, my likeness grew
(Without the melancholy tale)
To ‘Gentle Hermit of the Dale,’
And Angelina too.
For oft I read within my nook
Such minstrel stories; till the breeze
Made sounds poetic in the trees,
And then I shut the book.
If I shut this wherein I write
I hear no more the wind athwart
Those trees, nor feel that childish heart
Delighting in delight.
My childhood from my life is parted,
My footstep from the moss which drew
Its fairy circle round: anew
The garden is deserted.
Another thrush may there rehearse
The madrigals which sweetest are;
No more for me! myself afar
Do sing a sadder verse.
Ah me, ah me! when erst I lay
In that child’s-nest so greenly wrought,
I laughed unto myself and thought
‘The time will pass away.’
And still I laughed, and did not fear
But that, whene’er was past away
The childish time, some happier play
My womanhood would cheer.
I knew the time would pass away,
And yet, beside the rose-tree wall,
Dear God, how seldom, if at all,
Did I look up to pray!
The time is past; and now that grows
The cypress high among the trees,
And I behold white sepulchres
As well as the white rose, —
When graver, meeker thoughts are given,
And I have learnt to lift my face,
Reminded how earth’s greenest place
The color draws from heaven, —
It something saith for earthly pain,
But more for Heavenly promise free,
That I who was, would shrink to be
That happy child again.
– Elizabeth Barrett Browning
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The Poet And The Bird
Said a people to a poet—‘ Go out from among us straightway!
While we are thinking earthly things, thou singest of divine.
There’s a little fair brown nightingale, who, sitting in the gateways
Makes fitter music to our ears than any song of thine!’
The poet went out weeping—the nightingale ceased chanting;
‘Now, wherefore, O thou nightingale, is all thy sweetness done?’
I cannot sing my earthly things, the heavenly poet wanting,
Whose highest harmony includes the lowest under sun.’
The poet went out weeping,—and died abroad, bereft there—
The bird flew to his grave and died, amid a thousand wails:—
And, when I last came by the place, I swear the music left there
Was only of the poet’s song, and not the nightingale’s.
– Elizabeth Barrett Browning
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On A Portrait Of Wordsworth
Wordsworth upon Helvellyn ! Let the cloud
Ebb audibly along the mountain-wind,
Then break against the rock, and show behind
The lowland valleys floating up to crowd
The sense with beauty. He with forehead bowed
And humble-lidded eyes, as one inclined
Before the sovran thought of his own mind,
And very meek with inspirations proud,
Takes here his rightful place as poet-priest
By the high altar, singing prayer and prayer
To the higher Heavens. A noble vision free
Our Haydon’s hand has flung out from the mist:
No portrait this, with Academic air !
This is the poet and his poetry.
– Elizabeth Barrett Browning
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Work And Contemplation
The woman singeth at her spinning-wheel
A pleasant chant, ballad or barcarole;
She thinketh of her song, upon the whole,
Far more than of her flax; and yet the reel
Is full, and artfully her fingers feel
With quick adjustment, provident control,
The lines–too subtly twisted to unroll–
Out to a perfect thread. I hence appeal
To the dear Christian Church–that we may do
Our Father’s business in these temples mirk,
Thus swift and steadfast, thus intent and strong;
While thus, apart from toil, our souls pursue
Some high calm spheric tune, and prove our work
The better for the sweetness of our song.
– Elizabeth Barrett Browning
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The Landing Of The Pilgrim Fathers
The breaking waves dashed high
On a stern and rock-bound coast,
And the woods, against a stormy sky,
Their giant branches tost;
And the heavy night hung dark
The hills and water o’er,
When a band of exiles moored their bark
On the wild New England shore.
Not as the conqueror comes,
They, the true-hearted, came;
Not with the roll of the stirring drums,
And the trumpet that sings of fame;
Not as the flying come,
In silence and in fear, –
They shook the depths of the desert’s gloom
With their hymns of lofty cheer.
Amidst the storm they sang,
And the stars heard and the sea;
And the sounding aisles of the dim woods rang
To the anthem of the free.
The ocean-eagle soared
From his nest by the white wave’s foam,
And the rocking pines of the forest roared –
This was their welcome home!
There were men with hoary hair
Amidst that pilgrim band:
Why had they come to wither there,
Away from their childhood’s land?
There was woman’s fearless eye,
Lit by her deep love’s truth;
There was manhood’s brow serenely high,
And the fiery heart of youth.
What sought they thus afar?
Bright jewels of the mine?
The wealth of the seas? the spoils of war? –
They sought a faith’s pure shrine!
Ay, call it holy ground,
The soil where first they trod!
They have left unstained what there they found –
Freedom to worship God!
– Elizabeth Barrett Browning
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29th June – On This Day In History
Born:
1930 Robert Evans (director – The Godfather)
Died:
1861 Elizabeth Barrett Browning (poet)
On This Day:
1916 The first Boeing aircraft flies
Have a good Thursday, 29th June
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By The Fireside
I.
How well I know what I mean to do
When the long dark autumn-evenings come:
And where, my soul, is thy pleasant hue?
With the music of all thy voices, dumb
In life’s November too!
II.
I shall be found by the fire, suppose,
O’er a great wise book as beseemeth age,
While the shutters flap as the cross-wind blows
And I turn the page, and I turn the page,
Not verse now, only prose!
III.
Till the young ones whisper, finger on lip,
“There he is at it, deep in Greek:
“Now then, or never, out we slip
“To cut from the hazels by the creek
“A mainmast for our ship!”
IV.
I shall be at it indeed, my friends:
Greek puts already on either side
Such a branch-work forth as soon extends
To a vista opening far and wide,
And I pass out where it ends.
V.
The outside-frame, like your hazel-trees:
But the inside-archway widens fast,
And a rarer sort succeeds to these,
And we slope to Italy at last
And youth, by green degrees.
VI.
I follow wherever I am led,
Knowing so well the leader’s hand:
Oh woman-country, wooed not wed,
Loved all the more by earth’s male-lands,
Laid to their hearts instead!
VII.
Look at the ruined chapel again
Half-way up in the Alpine gorge!
Is that a tower, I point you plain,
Or is it a mill, or an iron-forge
Breaks solitude in vain?
VIII.
A turn, and we stand in the heart of things:
The woods are round us, heaped and dim;
From slab to slab how it slips and springs,
The thread of water single and slim,
Through the ravage some torrent brings!
IX.
Does it feed the little lake below?
That speck of white just on its marge
Is Pella; see, in the evening-glow,
How sharp the silver spear-heads charge
When Alp meets heaven in snow!
X.
On our other side is the straight-up rock;
And a path is kept ‘twixt the gorge and it
By boulder-stones where lichens mock
The marks on a moth, and small ferns fit
Their teeth to the polished block.
XI.
Oh the sense of the yellow mountain-flowers,
And thorny balls, each three in one,
The chestnuts throw on our path in showers!
For the drop of the woodland fruit’s begun,
These early November hours,
XII.
That crimson the creeper’s leaf across
Like a splash of blood, intense, abrupt,
O’er a shield else gold from rim to boss,
And lay it for show on the fairy-cupped
Elf-needled mat of moss,
XIII.
By the rose-flesh mushrooms, undivulged
Last evening—nay, in to-day’s first dew
Yon sudden coral nipple bulged,
Where a freaked fawn-coloured flaky crew
Of toadstools peep indulged.
XIV.
And yonder, at foot of the fronting ridge
That takes the turn to a range beyond,
Is the chapel reached by the one-arched bridge
Where the water is stopped in a stagnant pond
Danced over by the midge.
XV.
The chapel and bridge are of stone alike,
Blackish-grey and mostly wet;
Cut hemp-stalks steep in the narrow dyke.
See here again, how the lichens fret
And the roots of the ivy strike!
XVI.
Poor little place, where its one priest comes
On a festa-day, if he comes at all,
To the dozen folk from their scattered homes,
Gathered within that precinct small
By the dozen ways one roams—
XVII.
To drop from the charcoal-burners’ huts,
Or climb from the hemp-dressers’ low shed,
Leave the grange where the woodman stores his nuts,
Or the wattled cote where the fowlers spread
Their gear on the rock’s bare juts.
XVIII.
It has some pretension too, this front,
With its bit of fresco half-moon-wise
Set over the porch, Art’s early wont:
‘Tis John in the Desert, I surmise,
But has borne the weather’s brunt—
XIX.
Not from the fault of the builder, though,
For a pent-house properly projects
Where three carved beams make a certain show,
Dating—good thought of our architect’s—
‘Five, six, nine, he lets you know.
XX.
And all day long a bird sings there,
And a stray sheep drinks at the pond at times;
The place is silent and aware;
It has had its scenes, its joys and crimes,
But that is its own affair.
XXI.
My perfect wife, my Leonor,
Oh heart, my own, oh eyes, mine too,
Whom else could I dare look backward for,
With whom beside should I dare pursue
The path grey heads abhor?
XXII.
For it leads to a crag’s sheer edge with them;
Youth, flowery all the way, there stops—
Not they; age threatens and they contemn,
Till they reach the gulf wherein youth drops,
One inch from life’s safe hem!
XXIII.
With me, youth led … I will speak now,
No longer watch you as you sit
Reading by fire-light, that great brow
And the spirit-small hand propping it,
Mutely, my heart knows how—
XXIV.
When, if I think but deep enough,
You are wont to answer, prompt as rhyme;
And you, too, find without rebuff
Response your soul seeks many a time
Piercing its fine flesh-stuff.
XXV.
My own, confirm me! If I tread
This path back, is it not in pride
To think how little I dreamed it led
To an age so blest that, by its side,
Youth seems the waste instead?
XXVI.
My own, see where the years conduct!
At first, ’twas something our two souls
Should mix as mists do; each is sucked
In each now: on, the new stream rolls,
Whatever rocks obstruct.
XXVII.
Think, when our one soul understands
The great Word which makes all things new,
When earth breaks up and heaven expands,
How will the change strike me and you
ln the house not made with hands?
XXVIII.
Oh I must feel your brain prompt mine,
Your heart anticipate my heart,
You must be just before, in fine,
See and make me see, for your part,
New depths of the divine!
XXIX.
But who could have expected this
When we two drew together first
Just for the obvious human bliss,
To satisfy life’s daily thirst
With a thing men seldom miss?
XXX.
Come back with me to the first of all,
Let us lean and love it over again,
Let us now forget and now recall,
Break the rosary in a pearly rain,
And gather what we let fall!
XXXI.
What did I say?—that a small bird sings
All day long, save when a brown pair
Of hawks from the wood float with wide wings
Strained to a bell: ‘gainst noon-day glare
You count the streaks and rings.
XXXII.
But at afternoon or almost eve
‘Tis better; then the silence grows
To that degree, you half believe
It must get rid of what it knows,
Its bosom does so heave.
XXXIII.
Hither we walked then, side by side,
Arm in arm and cheek to cheek,
And still I questioned or replied,
While my heart, convulsed to really speak,
Lay choking in its pride.
XXXIV.
Silent the crumbling bridge we cross,
And pity and praise the chapel sweet,
And care about the fresco’s loss,
And wish for our souls a like retreat,
And wonder at the moss.
XXXV.
Stoop and kneel on the settle under,
Look through the window’s grated square:
Nothing to see! For fear of plunder,
The cross is down and the altar bare,
As if thieves don’t fear thunder.
XXXVI.
We stoop and look in through the grate,
See the little porch and rustic door,
Read duly the dead builder’s date;
Then cross the bridge that we crossed before,
Take the path again—but wait!
XXXVII.
Oh moment, one and infinite!
The water slips o’er stock and stone;
The West is tender, hardly bright:
How grey at once is the evening grown—
One star, its chrysolite!
XXXVIII.
We two stood there with never a third,
But each by each, as each knew well:
The sights we saw and the sounds we heard,
The lights and the shades made up a spell
Till the trouble grew and stirred.
XXXIX.
Oh, the little more, and how much it is!
And the little less, and what worlds away!
How a sound shall quicken content to bliss,
Or a breath suspend the blood’s best play,
And life be a proof of this!
XL.
Had she willed it, still had stood the screen
So slight, so sure, ‘twixt my love and her:
I could fix her face with a guard between,
And find her soul as when friends confer,
Friends—lovers that might have been.
XLI.
For my heart had a touch of the woodland-time,
Wanting to sleep now over its best.
Shake the whole tree in the summer-prime,
But bring to the Iast leaf no such test!
“Hold the last fast!” runs the rhyme.
XLII.
For a chance to make your little much,
To gain a lover and lose a friend,
Venture the tree and a myriad such,
When nothing you mar but the year can mend:
But a last leaf—fear to touch!
XLIII.
Yet should it unfasten itself and fall
Eddying down till it find your face
At some slight wind—best chance of all!
Be your heart henceforth its dwelling-place
You trembled to forestall!
XLIV.
Worth how well, those dark grey eyes,
That hair so dark and dear, how worth
That a man should strive and agonize,
And taste a veriest hell on earth
For the hope of such a prize!
XIIV.
You might have turned and tried a man,
Set him a space to weary and wear,
And prove which suited more your plan,
His best of hope or his worst despair,
Yet end as he began.
XLVI.
But you spared me this, like the heart you are,
And filled my empty heart at a word.
If two lives join, there is oft a scar,
They are one and one, with a shadowy third;
One near one is too far.
XLVII.
A moment after, and hands unseen
Were hanging the night around us fast
But we knew that a bar was broken between
Life and life: we were mixed at last
In spite of the mortal screen.
XLVIII.
The forests had done it; there they stood;
We caught for a moment the powers at play:
They had mingled us so, for once and good,
Their work was done—we might go or stay,
They relapsed to their ancient mood.
XLIX.
How the world is made for each of us!
How all we perceive and know in it
Tends to some moment’s product thus,
When a soul declares itself—to wit,
By its fruit, the thing it does
L.
Be hate that fruit or love that fruit,
It forwards the general deed of man,
And each of the Many helps to recruit
The life of the race by a general plan;
Each living his own, to boot.
LI.
I am named and known by that moment’s feat;
There took my station and degree;
So grew my own small life complete,
As nature obtained her best of me—
One born to love you, sweet!
LII.
And to watch you sink by the fire-side now
Back again, as you mutely sit
Musing by fire-light, that great brow
And the spirit-small hand propping it,
Yonder, my heart knows how!
LIII.
So, earth has gained by one man the more,
And the gain of earth must be heaven’s gain too;
And the whole is well worth thinking o’er
When autumn comes: which I mean to do
One day, as I said before.
– Robert Browning
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Boot And Saddle
Boot, saddle, to horse, and away!
Rescue my Castle, before the hot day
Brightens the blue from its silvery grey,
(Chorus) “Boot, saddle, to horse, and away!”
Ride past the suburbs, asleep as you’d say;
Many’s the friend there, will listen and pray
“God’s luck to gallants that strike up the lay,
(Chorus) “Boot, saddle, to horse, and away!”
Forty miles off, like a roebuck at bay,
Flouts Castle Brancepeth the Roundheads array:
Who laughs, Good fellows ere this, by my fay,
(Chorus) “Boot, saddle, to horse, and away!”
Who? My wife Gertrude; that, honest and gay,
Laughs when you talk of surrendering, “Nay!
I’ve better counsellors; what counsel they?”
(Chorus) “Boot, saddle, to horse, and away!”
– Robert Browning
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The Boy And The Angel
Morning, evening, noon and night,
“Praise God!; sang Theocrite.
Then to his poor trade he turned,
Whereby the daily meal was earned.
Hard he laboured, long and well;
O’er his work the boy’s curls fell.
But ever, at each period,
He stopped and sang, “Praise God!”
Then back again his curls he threw,
And cheerful turned to work anew.
Said Blaise, the listening monk, “Well done;
“I doubt not thou art heard, my son:
“As well as if thy voice to-day
“Were praising God, the Pope’s great way.
“This Easter Day, the Pope at Rome
“Praises God from Peter’s dome.”
Said Theocrite, “Would God that I
“Might praise him, that great way, and die!”
Night passed, day shone,
And Theocrite was gone.
With God a day endures alway,
A thousand years are but a day.
God said in heaven, “Nor day nor night
“Now brings the voice of my delight.”
Then Gabriel, like a rainbow’s birth,
Spread his wings and sank to earth;
Entered, in flesh, the empty cell,
Lived there, and played the craftsman well;
And morning, evening, noon and night,
Praised God in place of Theocrite.
And from a boy, to youth he grew:
The man put off the stripling’s hue:
The man matured and fell away
Into the season of decay:
And ever o’er the trade he bent,
And ever lived on earth content.
(He did God’s will; to him, all one
If on the earth or in the sun.)
God said, “A praise is in mine ear;
“There is no doubt in it, no fear:
“So sing old worlds, and so
“New worlds that from my footstool go.
“Clearer loves sound other ways:
“I miss my little human praise.”
Then forth sprang Gabriel’s wings, off fell
The flesh disguise, remained the cell.
‘Twas Easter Day: he flew to Rome,
And paused above Saint Peter’s dome.
In the tiring-room close by
The great outer gallery,
With his holy vestments dight,
Stood the new Pope, Theocrite:
And all his past career
Came back upon him clear,
Since when, a boy, he plied his trade,
Till on his life the sickness weighed;
And in his cell, when death drew near,
An angel in a dream brought cheer:
And rising from the sickness drear
He grew a priest, and now stood here.
To the East with praise he turned,
And on his sight the angel burned.
“I bore thee from thy craftsman’s cell
“And set thee here; I did not well.
“Vainly I left my angel-sphere,
“Vain was thy dream of many a year.
“Thy voice’s praise seemed weak; it dropped—
“Creation’s chorus stopped!
“Go back and praise again
“The early way, while I remain.
“With that weak voice of our disdain,
“Take up creation’s pausing strain.
“Back to the cell and poor employ:
“Resume the craftsman and the boy!”
Theocrite grew old at home;
A new Pope dwelt in Peter’s dome.
One vanished as the other died:
They sought God side by side.
– Robert Browning
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