The Barefooted Friar

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I’ll give thee, good fellow, a twelvemonth or twain,
To search Europe through, from Byzantium to Spain;
But ne’er shall you find, should you search till you tire,
So happy a man as the Barefooted Friar.

Your knight for his lady pricks forth in career,
And is brought home at even-song bunny’d through with a spear;
I confess him in haste – for his lady desires
No comfort on earth save the Barefooted Friar’s.

Your monarch? – Pshaw! many a prince has been known
To barter his robes for our cowl and our gown,
But which of us e’er felt the idle desire
To exchange for a crown the grey hood of a Friar!

The Friar has walk’d out, and where’er he has gone,
The land and its fatness is mark’d for his own;
He can roam where he lists, he can stop when he tires,
For every man’s house is the Barefooted Friar’s.

He’s expected at noon, and no wight till he comes
May profane the great chair, or the porridge of plums
For the best of the cheer, and the seat by the fire,
Is the undenied right of the Barefooted Friar.

He’s expected at night, and the pasty’s made hot,
They broach the brown ale, and they fill the black pot,
And the goodwife would wish the goodman in the mire,
Ere he lack’d a soft pillow, the Barefooted Friar.

Long flourish the sandal, the cord, and the cope,
The dread of the devil and trust of the Pope;
For to gather life’s roses, unscathed by the briar,
Is granted alone to the Barefooted Friar.

– Sir Walter Scott

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The Bard’s Incantation

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The Forest of Glenmore is drear,
It is all of black pine, and the dark oak-tree;
And the midnight wind to the mountain deer,
Is whistling the forest lullaby:
The moon looks through the drifting storm,
But the troubled lake reflects not her form,
For the waves roll whitening to the land,
And dash against the shelvy strand.

There is a voice among the trees,
That mingles with the groaning oak-
That mingles with the stormy breeze,
And the lake-waves dashing against the rock;-
There is a voice within the wood,
The voice of the Bard in fitful mood;
His song was louder than the blast,
As the Bard of Glenmore through the forest past.

‘Wake ye from your sleep of death,
Minstrels and bards of other days!
For the midnight wind is on the heath,
And the midnight meteors dimly blaze:
The Spectre with the Bloody Hand,
Is wandering through the wild woodland;
The owl and the raven are mute for dread,
And the time is meet to awake the dead!

‘Souls of the mighty, wake, and say
To what high strain your harps were strung
When Lochlin plough’d her billowy way,
And on your shores her Norsemen flung?
Her Norsemen train’d to spoil and blood,
Skill’d to prepare the Raven’s food,
All, by your harpings, doom’d to die
On bloody Largs and Loncarty.

‘Mute are ye all? No murmurs strange
Upon the midnight breeze sail by;
Nor through the pines, with whistling change
Mimic the harp’s wild harmony!
Mute are ye now? – Ye ne’er were mute,
When Murder with his bloody foot,
And Rapine with his iron hand,
Were hovering near yon mountain strand.

‘O, yet awake, the strain to tell,
By every deed in song enroll’d,
By every chief who fought or fell
For Albion’s weal in battle bold:-
From Coilgach, first, who rolled his car
Through the deep ranks of Roman war,
To him, of veteran memory dear,
Who, victor, died on Aboukir.

‘By all their swords, by all their scars,
By all their names, a mighty spell!
By all their wounds, by all their wars,
Arise the mighty strain to tell!
For, fiercer than fierce Hengist’s strain,
More impious than the heathen Dane,
More grasping than all grasping Rome,
Gaul’s ravening legions hither come!’

The wind is hush’d, and still the lake-
Strange murmurs fill my tinkling ears,
Bristles my hair, my sinews quake
At the dread voice of other years-
‘When targets clash’d and bugles rung,
And blades round warriors’ heads were flung,
The foremost of the band were we,
And hymned the joys of liberty!’

– Sir Walter Scott

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The Black Knight’s Song

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Knight And Wamba

There came three merry men from south, west, and north,
Ever more sing the roundelay;
To win the Widow of Wycombe forth,
And where was the widow might say them nay?

The first was a knight, and from Tynedale he came,
Ever more sing the roundelay;
And his fathers, God save us, were men of great faine,
And where was the widow might say him nay?

Of his father the laird, of his uncle the squire,
He boasted in rhyme and in roundelay;
She bade him go bask by his sea-coal fire,
For she was the widow would say him nay.

Wamba

The next that came forth, swore by blood and by nails,
Merrily sing the roundelay;
Hur’s a gentleman, God wot, and hur’s lineage was of Wales,
And where was the widow might say him nay?

Sir David ap Morgan ap Griffith ap Hugh
Ap Tudor ap Rhice, quoth his roundelay;
She said that one widow for so many was too few,
And she bade the Welshman wend his way.

But then next came a yeoman, a yeoman of Kent,
Jollily singing his roundelay;
He spoke to the widow of living and rent,
And where was the widow could say him nay?

Both

So the knight and the squire were both left in the mire,
There for to sing their roundelay;
For a yeoman of Kent, with his yearly rent,
There never was a widow could say him nay.

– Sir Walter Scott

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On The Idle Hill Of Summer

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On the idle hill of summer,
Sleepy with the flow of streams,
Far I hear the steady drummer
Drumming like a noise in dreams.

Far and near and low and louder
On the roads of earth go by,
Dear to friends and food for powder,
Soldiers marching, all to die.

East and west on fields forgotten
Bleach the bones of comrades slain,
Lovely lads and dead and rotten;
None that go return again.

Far the calling bugles hollo,
High the screaming fife replies,
Gay the files of scarlet follow:
Woman bore me, I will rise.

– Alfred Edward Housman

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I See The Boys Of Summer

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I

I see the boys of summer in their ruin
Lay the gold tithings barren,
Setting no store by harvest, freeze the soils;
Theire in their heat the winter floods
Of frozen loves they fetch their girls,
And drown the cargoed apples in their tides.

These boys of light are curdlers in their folly,
Sour the boiling honey;
The jacks of frost they finger in the hives;
There in the sun the frigid threads
Of doubt and dark they feed their nerves;
The signal moon is zero in their voids.

I see the summer children in their mothers
Split up the brawned womb’s weathers,
Divide the night and day with fairy thumbs;
There in the deep with quartered shades
Of sun and moon they paint their dams
As sunlight paints the shelling of their heads.

I see that from these boys shall men of nothing
Stature by seedy shifting,
Or lame the air with leaping from its hearts;
There from their hearts the dogdayed pulse
Of love and light bursts in their throats.
O see the pulse of summer in the ice.

II

But seasons must be challenged or they totter
Into a chiming quarter
Where, punctual as death, we ring the stars;
There, in his night, the black-tongued bells
The sleepy man of winter pulls,
Nor blows back moon-and-midnight as she blows.

We are the dark deniers, let us summon
Death from a summer woman,
A muscling life from lovers in their cramp,
From the fair dead who flush the sea
The bright-eyed worm on Davy’s lamp,
And from the planted womb the man of straw.

We summer boys in this four-winded spinning,
Green of the seaweed’s iron,
Hold up the noisy sea and drop her birds,
Pick the world’s ball of wave and froth
To choke the deserts with her tides,
And comb the county gardens for a wreath.

In spring we cross our foreheads with the holly,
Heigh ho the blood and berry,
And nail the merry squires to the trees;
Here love’s damp muscle dries and dies,
Here break a kiss in no love’s quarry.
O see the poles of promise in the boys.

III

I see the boys of summer in their ruin.
Man in his maggot’s barren.
And boys are full and foreign in the pouch.
I am the man your father was.
We are the sons of flint and pitch.
O see the poles are kissing as they cross.

– Dylan Thomas

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